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Category: Management

The Future of Story – Chicago (8-Aug-12)

I have a production jacket from a sci-fi I worked on that declares: “The Future Is“… but the jacket never identified what the future was! Although I guess it means that the future is here and now.

Well, in Chicago on August 8, I’m on a panel for the conference “The Future of Story – Chicago” and will naturally be talking about the business of filmmaking. It’s going to be an information-packed set of panels for real concentrated learning on screenwriting, the business and pitching, plus some crazy discounts on MWP Books too. Last year it was in LA, so if you’re in the Chicago area, this year it’s your opportunity to attend locally! I very much hope to see you there.

For more info see the conference’s FB page or Event page:

http://www.facebook.com/TheFutureOfStory

http://www.facebook.com/events/328763390542729/

And for even more info, and to reserve a seat go to:

http://www.chicagohollywood.com/

See you in Chicago! In the meantime…

Cheers & a good shoot to you,
Deb

Backwards Budgeting

When it comes to budgeting, whatever you do, don’t start at the beginning! Start backwards.

Huh?

Peruse a budget template. That’s a lot of categories, isn’t it? Kind of makes the budget template seem smart by itself. Not so.

Sure, if you start budgeting at the first category and work your way linearly though the template to the end, you’re going to find line items you never considered. You’ll say to yourself, “that sounds good. I probably need one of those” and add it to your budget… and sooner than later your budget’s bottom line will swell to an unruly size. Who’d have thought that your production would cost so much!

The solution? Start budgeting backwards.

How much money might you have for the production? A ballpark figure will do, if the final financing amount isn’t available. That’s the end and that’s as far as you want to go.

Now go to the middle. Start budgeting the set crew categories below-the-line. You’ve decided on how many days, so that’s the place to plug in the first set of numbers. Bypass many of the template’s recommended categories. If you’re not entirely sure that you might want one of its recommendations, add it in for $1… the ridiculous amount will flag the category for when you review the overall budget after writing the first draft and then you can consider the recommendation in context of the entire budget and all departments in place.

Finally, fill in the other missing categories. By the time you review the budget from beginning to end (toward the end of your first draft), you will have a sense of the overall budget and can more wisely by-pass or select those extra categories.

It takes a bit of practice to know how big a crew and how many days a budget can support at different budget levels, but you’ll probably surprise yourself when you slow down a bit and let your logical brain kick in. The budget template is only a guide… and you’re the smart one writing the budget itself.

Cheers & smart budgeting to you,
Deb

Ciné-surfer: Stella Pacific Management’s Resources Re: Child Labor Laws

Stella Management has a great summary California child labour laws and work hours for film sets here:

http://stellapacificmanagement.com/?page_id=8

Though your production may not be based in California, for early planning purposes anywhere, this page gives you an excellent overview of what hours you can expect are reasonable for child performers. Of course as you near production, ensure that you abide by the local laws.

Cheers & a good shoot to you,
Deb

Browsing Books Virtually… in the MWP Book Catalogue 2012

Oh to browse through bookstores… and industry books especially!

Well, the new MWP Books catalogue 2012 is out. You can peruse the PDF catalogue online to find out what’s new at: http://www.mwp.com/catalogs/MWP.com_Catalog_2012.pdf (2.2 MB). My book (being published last year) is now on page 37. Browse the pages and then let me know… what books peak your interest? What topics do you find lacking?

As a MWP author myself, it’s an honour to be part of such a professional team of industry workers & writers. I’ve read many MWP books over the years and have never been disappointed by a single book. So if your thinking of Christmas, thinking of your career, or thinking of just browsing… enjoy!

Plus you can join the many folk at MWP Books FB page (http://www.facebook.com/mwpfilmbooks) where the is much industry discussion, announcements, and I’ve seen free book giveaways now and then.

Might “see” you there!

Cheers & happy industry browsing to you,
Deb

Why Craft Service & Catering Should be Good

It’s a big budget production…  the production can afford it! Craft & catering should be good. It’s expected; it’s respectful.

It’s a low budget production… the production may not be providing enough time or money to the cast & crew to buy groceries. Craft & catering should be good. Production needs a healthy cast & crew; it’s respectful.

Good food, respect & a good shoot to you!
Deb

Ciné-surfer: Winter Palace Films – Career Workshop

Your peers are finally used to you thinking of you working in one role within the industry by the time you want to move on and up to a different position or simple change tracks. Alas! So often you are taking the path of “career change” when in fact, this state of change is just the natural flow of your career.

Winter Palace Films has a great article based on a workshop at Show Biz Expo (in LA in December 2010): “Unconvential Strategies for Reinventing Yourself and Your Career” by Jan Bursey, Producer & President of Winter Palace Films. Surf by and check out the 10 strategies. Useful information no matter at what point in your career you are.

Cheers & a good shoot to you,
Deb