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Deborah S. Patz – Author

Author of film books for industry pros and youth

What’s It Good For? The P.O. (Purchase Order)

posmplThe P.O. (purchase order) scores its own column in the cost report. Lucky, eh?

In a collection of columns, the cost report summarizes what’s been spent and what is yet to be spent, so you may wonder…  since purchase ordered goods and services are not yet actually paid, why not clump those costs into the “to be spent” column and be done with it?

That’s because the “purchased ordered costs” are quite literally between “costs spent” and “costs to be spent.” They are “costs promised.” And I mean Promised with a capital “P.” P.O.s are serious business.

Very basically, the P.O. is a signed agreement between seller and buyer. A contract.

On it, you make the deal: the seller promising to deliver specific services or item(s) for a given price, and you – the buyer – promising to pay the matching invoice when it arrives from the seller later (your promise is recorded in the signed approval on the P.O.).

Then you (or your Accounting Department) put sufficient money aside to cover the forthcoming invoice, so that when it arrives, the money is in the bank to pay it. All’s well!

Kinda makes you think about credit cards, doesn’t it? (1) Charge and receive the goods, (2) mentally put sufficient money aside, and then (3) pay in full when the credit card bill arrive at month’s end.

Yup. The way credit cards should be handled! The P.O. can teach us a thing or two.

 

Cheers and happing P.O.’ing to you,
Deb

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For more info on P.O.s and cost reports, then come and check out my book “Film Production Management 101.”

You can also see me in person at the UFVA Conference in Las Vegas, July 31 – Aug. 4. I’ll be on several panels or at the MWP Books booth.

I’ll also be at the Future of Story Conference on August 1.

Summer Travels, Events and Cloning

Looking forward to the Canadian Writer’s Summit in Toronto this June and the UFVA Conference in Las Vegas this August. A first glance at the schedules and I’m already wishing I could clone myself. There are so many great panels and workshops!

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For UFVA, I’m on a few of those panels myself… well, at least that will make a couple of the choices straighforward!

Any hinters on choosing for the rest of the time slots?

Cheers & happy choices,
Deb

Busy Writing…

d-wrtgYeah… I’ve been absent from blogging for a while. Just letting you know that I’ve been busy writing… well, actually, I still am!

I find that I need concentrated blocks of time to push through that first draft. Grabbing those blocks wherever I can and rather looking forward to the little breather that comes between drafts one and two. See you when I can!

Cheers and write-on!
Deb

What Do These Films Have in Common? The Answer!

Did you get it?

Interesting answers came in from a variety of sources. The answer is:

Best Writing Nominations at the Oscars

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  • Mr. Deeds Goes To Town (1936, Robert Riskin)
  • The Maltese Falcon (1941, John Huston)
  • Love Story (1970, Erich Segal)
  • Away From Her (2007, Sarah Polley)
  • Das Boot (1982, Wolfgang Petersen)
  • American Graffiti (1973, George Lucas, Gloria Katz, Willard Huyck)
  • Roman Holiday (1953, Ian McLellan Hunter, John Digton)
  • The Great Dictator (1940, Charles Chaplin)

Are you planning an Oscar party this year? To warm up the party or as a lead up to the party, consider a quiz related to previous winners and nominees. There are a lot of great films out there…

To help you, here’s a link to the Academy Awards database:
http://awardsdatabase.oscars.org/ampas_awards/BasicSearchInput.jsp

Cheers & a good Oscar party to you,
Deb

What Do These Films Have In Common?

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  • Mr. Deeds Goes To Town
  • The Maltese Falcon
  • Love Story
  • Away From Her
  • Das Boot
  • American Graffiti
  • Roman Holiday
  • The Great Dictator

Answer will come in the next posting…

Cheers & a good shoot to you,
Deb

What I Learned About Filmmaking from… RC Flying

rcflyAmazing the places you can learn concepts useful for filmmaking. Here’s a look from the perspective of RC Flying…

1. There Are A LOT of Crashes
The first take-off is exhilerating, but, boy, are there a lot of crashes before being able to deftly fly the mini aircrafts. From each of those crashes, you build on your knowledge to fly better and better next time. Not that there won’t be any crashes in the future, but (1) you’ll be more prepared for them physically and mentally, and (2) you’ll recover from some of even before hitting the ground. Echoes of a freelance career, doesn’t it?

2. Gotta Have Spares
To weather those training crashes, you can’t be flying just 1 plane and have no spares. To increase airtime, you have to have multiple planes and, most certainly, spares. It’s your B-plan. For an industry career, your network is your multiple planes, and your side jobs I see as your spares.

3. Put Your Imagination In The Pilot’s Seat
You’re flying an RC plane “from away.” Basically, it’s the third person POV. Your actual perspective on the plane is changing constantly and you need to put your mind into the pilot’s seat to instinctively know which way to manipulate the controls to bank in the direction you want to go. Get it right, and the plane flies seemingly effortlessly. On a film production, you need to put your imagination into the story – in effect, “fly the scene” – to see and create the necessary details to make the story and characters come alive.

How about you? Where do you find parallels between life and the film industry?

Cheers and a high-flying shoot to you,
Deb