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Deborah S. Patz – Author

Author of film books for industry pros and youth

Deb writing in various locales

How Long Does It Take To Write A Book (Part 2: Planning It)

Okay, it’s kinda strange for Part 2 of this post to be about the planning writing a book after having covered the actual sit-down writing process in Part 1. The reason is that you can easily spend all your time planning and never get to the stage of actual writing and the actual writing stage is essential… so I gave it to you first. But yes, you have to plan a book before writing it.

The planning and research stage is much more nebulous and open-ended.

For nonfiction, you draft out a detailed table of contents – basically the outline and core of the book, you conduct research including reaching out to and interviewing subject matter experts, you write a couple of sample chapters to test out style and approach, you research other books on the market to see if what you’re writing is indeed original and marketable, and you research publishers (including self-publishing options) to find the right fit.

Here’s an overview of the time it took for the planning/research stage of the third edition of “Film Production Management 101”:

  • Winter/Spring 2023 – Research & planning, including revised Table of Contents, meeting Subject Matter Experts, researching the market.
  • Summer 2023 – Proposal to publisher for revised edition. Marking up the existing edition (optimistically getting ready for the writing stage). Continue Subject Matter Expert meetings.
  • Fall 2023 – Acceptance of proposal by publisher. Hands-on-keyboard writing stage of the whole book.
  • Winter 2024 – One month off break to reset the mind, then hands-on-keyboard writing of the final draft.
  • Spring 2024 – Delivery to publisher
  • Summer 2024 – Copyediting with the publisher
  • Christmas 2024 – First preview copy of published book
  • Winter 2025 – Publication of third edition of “Film Production Management 101”

… which is why when someone is asked how long it takes to write a book, they often say a year or more.

It’s also worthy of note (during the planning stage) that considering how long it takes to research, plan, write, rewrite and publish a book, it’s hugely important that the contents of the book will last. The material I started assembling back in winter/spring of 2023 needed to be topical as of publication in 2025 and needs to be relevant for many years to come.

I hope this post inspires and motivates you on your own writing journey in 2026. Best wishes to you in this new year of possibilities!

Cheers & a good writing session to you,
Deb

P.S. If you missed the “writing it” Part 1 post, here ‘tis:
https://www.debpatz.com/how-long-does-it-take-to-write-a-book-part-1-writing-it/

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Film Production Management 101” (now in its third edition) is updated for today’s respectful workplace and sustainable practices – available worldwide, including Amazon-USA, Indigo-Canada and many other bookstores or directly from the publisher (MWP).

Write! Shoot! Edit!” (written for young adults) is a choose-your-own-path book where you can follow the path of the writer, director-DP or editor to make your first films. It’s also available worldwide, including Amazon-USA, Indigo-Canada (Kobo), or directly from the publisher (MWP).

Deb and her writing thermometer

How Long Does It Take To Write A Book (Part 1: Writing It)

New Years brings to mind the setting of resolutions and taking steps toward fulfilling a life goal or two. Is writing a book one of those life goals you have? Many of us have a book (or many) in us itching to get out.

Having written a few books now myself, and with “Film Production Management 101” weighing in at over 500 pages, I’m frequently asked the question of how long it takes to write a book – especially while working full time. Well, let me tell you. My process is for a nonfiction book, but the approach and discipline can be adapted to any book or script.

Firstly, know that there is a whole stage of preparing to write the book, but I won’t go into the planning in this post. What we’re interested in is the actual sit-down and writing stage. I’ll cover planning in a Part-2 post.

So, planning is done. The table of contents (the outline) is set and you know what you’re going to cover in each chapter. In the case of “Film Production Management 101,” the table of contents already existed but was being modified for the third edition, as the new edition was undergoing a comprehensive rewrite from page 1.

I need both discipline and flexibility in the writing process. Although, once I start the fingers-to-keyboard writing phase, I need to keep pushing forward on a near daily basis. Some chapters are easier and faster to write than others, so getting bogged down in a one chapter for multiple days can be sobering if I don’t celebrate the days where I speed along.

For the initial edition, I pushed to average one chapter per writing day. I built in contingency days for family obligations and for the expectation that some chapters would take longer than 1 day (which several did). When I stopped midway on a hard chapter (at the end of a writing session), I’d spend the time before the next scheduled session mulling over the writing challenge that stopped me. Even if I didn’t think I’d solved whatever it was, I pushed forward anyway knowing I’d come back and rewrite this section at a future date. Overall, the plan was to write 22 chapters in 22 + 7 days (over 5 weeks) and in actuality, it took 7 weeks.

For the revised edition, I had a marked-up book to work from as inspiration for the rewrite. Some chapters needed less updating than others, so I’d push to rewrite multiple chapters a day based on how well the writing flow was, well, flowing. Those fast-flowing days helped me feel accomplished even when I got bogged down in a chapter challenging to craft. The writing days were a little less than for the initial edition (20 days for 35 chapters), but balancing work-life and writing stretched the overall writing period from the hoped-for 6 weeks to 12.

How, then, to celebrate and self-motivate? I make a visual tracker.

For the initial edition, I used a calendar and declared which writing day would be for which chapter. It made writing a whole book tangible, achievable. At the end of each writing session, I recorded the actual chapter / chapters / part-chapter that I did complete. As mentioned, I did miss the overall schedule by two weeks but that was negligible when you look at the whole work. The contingency days were critical for writing catch-up and to address family obligations. Mid-writing, I had the opportunity to re-plan how many writing sessions per chapter (rather than how many chapters per writing session), but the push to keep up the pace was working to motivate me so I kept the original schedule as-is and delivered to myself a little late.

For the revised edition, I added colour to my tracker and turned it into a thermometer. I didn’t worry so much about meeting the minimum one chapter per day – the initial writing was already done (which takes longer) – so I used a writing thermometer which I posted on the fridge and I tracked both number of words and number of chapters I wrote in a day’s sitting. Because chapters varied in length, some days my word count was high, and other days my chapter count was high. I loved the messiness of random colours to keep my mind in a creative mindset. Here’s the completed thermometer tracker… where you’ll also see that I didn’t always write the chapters in order:

Thermometer writing schedule

Another nugget: I wrote the book at least twice each time. After the first pass writing the book (7 weeks for the initial edition, 12 weeks for the revised edition), I took a scheduled month off to let my mind reset enabling me to approach the book with fresh eyes. After the break, I leapt back in for a second pass rewrite. In the rewrite phase, I worked on concepts like accuracy, consistency of style, and overarching approach to the book. This phase of writing was much faster than the initial creation. I used a tracker for this phase too.

But as much as I love the writing – especially those magical easy-flow days – fitting in to a busy life is really, truly hard. The first time I wrote “Film Production Management” (which was called “Surviving Production” back then), I was single and working freelance – it was hard to write and hard fit into my life. When I wrote a later edition, I was married and had a dog and was working full time – and it was hard to write and hard fit into my life. When I wrote this latest edition, I was (still) married, had two dogs, a kid and an aging mother in the house – and it was hard to write and hard to fit into my life. But each time, I discovered: it was possible. Need outweighs the obstacles.

I hope this post gives you insight and inspiration for your own writing goals for 2026. Here’s to the new year and all its possibilities!

Cheers & a good writing session to you,
Deb

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Film Production Management 101” (now in its third edition) is updated for today’s respectful workplace and sustainable practices – available worldwide, including Amazon-USA, Indigo-Canada and many other bookstores or directly from the publisher (MWP).

Write! Shoot! Edit!” (written for young adults) is a choose-your-own-path book where you can follow the path of the writer, director-DP or editor to make your first films. It’s also available worldwide, including Amazon-USA, Indigo-Canada (Kobo), or directly from the publisher (MWP).

Santa sleigh over sunrise

Sunrise in Space

Sunrises and sunset are magical: warm hues of pinks, oranges, reds wash the sky and paint the clouds at the start and end of each day for a good thirty minutes to hour or more, depending on your latitude. Sometimes the show is watery or pastel, sometimes the colours are vibrant. Sometimes we miss it for heavy cloud cover. Still, we know it’s there two times a day. No wonder it’s called “magic hour.”

With the winter days growing shorter in the northern hemisphere, another season of magic is upon us – the festival season – and so the morning of December 25 has to be the most magical sunrise of the year. Nothing else could top that sunrise, could it?

Well… I was working with the IMAX space team and there was a day we brought some of the first 70mm footage back to Earth, including a sunrise in space. How cool could that be?!

Since we were based in Ontario, about 5 of us gathered at the IMAX theatre at Ontario Place for the first -look watch of the rushes. I couldn’t be more excited and felt humbly privileged to be there. I wondered what a sunrise in space would look like.

The frame started as pitch black. No image at all. With no ambient light in space, that made sense. And then…

It was over!

Yup. In four seconds, the frame went from full-frame black to everything brightly lit. Forget Earth latitude differences to the length of magic hour, there are no clouds in space and no atmosphere, so there’s nothing for sunrise to paint or to linger on. How disappointing, but also… of course! Like, duh!

And because of the orbit of the shuttle around the world, the astronauts would see one of these abrupt sunrises or sets every 90 minutes.

Wow. It makes you think. That’s a difference perspective to what we see here on the ground.

Admittedly, because of that “light-switch” sunrise, I probably appreciate the atmospheric art of magic hour on Earth more so now than ever, making magic hour even more special.

I hope you take time to enjoy the next one near you.

Cheers, a good shoot & magical season to you,
Deb

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Film Production Management 101” (now in its third edition) is updated for today’s respectful workplace and sustainable practices – available worldwide, including Amazon-USA, Indigo-Canada and many other bookstores or directly from the publisher (MWP).

Write! Shoot! Edit!” (written for young adults) is a choose-your-own-path book where you can follow the path of the writer, director-DP or editor to make your first films. It’s also available worldwide, including Amazon-USA, Indigo-Canada (Kobo), or directly from the publisher (MWP).

Duck with tether, flying

CGI That Anachronism!

Hidden CGI is visual effects that are hidden in plain sight but are effectively invisible, not flashy. When you think of Hidden CGI, you probably first think about Forrest Gump, especially: the removal of Sargent Dan’s legs and the integrating of (fictional) Forrest into existing (real life) news footage to make the news clip suit the story of the film. This is Hidden CGI on a big and expensive scale.

On a small, shot-by-shot scale (which can also be costly), you may need CGI to remove unwanteds from the shot – stereotypically, to remove a boom that sneaks into frame, but it could also be:

  • The dog’s waggy tail while it’s growling (the dog may wag its tail in happiness of a job well done, but the tail is anachronistic – and distracting – to the mean growl)
  • Telephone poles or cell phone towers in country vista of a pre-electricity period piece
  • The tether on a flying, trained bird – the trainer may need it, but can’t remove it for the shot

If you don’t CGI the correction, the anachronism will distract and pull the audience out of the magic of the story, so have a read through your script.

Can you find Hidden CGI shots or potential ones in your script? Know early so you can plan during the shoot to minimize your need for CGI in post.

Cheers & a good shoot to you,
Deb

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Film Production Management 101” (now in its third edition) is updated for today’s respectful workplace and sustainable practices – available worldwide, including Amazon-USA, Indigo-Canada and many other bookstores or directly from the publisher (MWP).

Write! Shoot! Edit!” (written for young adults) is a choose-your-own-path book where you can follow the path of the writer, director-DP or editor to make your first films. It’s also available worldwide, including Amazon-USA, Indigo-Canada (Kobo), or directly from the publisher (MWP).

hospital bed with dvd player

What I Learned from Filmmaking… from a Stroke (about Johnny English)

If you’ve been following my blog, you’ll know that my mom had a stroke last year. Among the effects of the story, it took away her ability to read (letters, symbols and numbers) but oddly not her ability to handwrite. If you want to learn more about that oddness, here’s last year’s post: https://www.debpatz.com/what-i-learned-about-writing-from-a-stroke/

Another lesson on the journey of recovery is from the time when she was still in the hospital: a lesson about hope.

Beyond her struggles to remember how to read, to calculate what year it was, to identify cutlery on the lunch tray, and so on… my mom had a desperate need to see the movie “Johnny English.”

Really?

Apparently, in all her hospital tests and discoveries about abilities lost and not, she wanted to know if she could still understand movie comedy and enjoy one of her most favourite films. She knew she had shelves of books in her home she might never be able to read again. She needed to know if her shelves of movies were also going to be out of reach.

She asked about the movie near daily, looking forward – no doubt with trepidation – to when she’d have the chance to see it again and find out. But until she did, she was determined that she’d not know the full extent of what was lost with the stroke.

So, one day, I brought the movie along with a portable DVD machine and headphones to the hospital. I had to help her use the machine because she couldn’t read the icons on the player – not even the buttons for play, pause or volume.

Watching her watch the movie… well, I can hardly describe the joy on her face as she discovered she could still understand the story, still catch the humour – both wit and slapstick. In that moment, the movie gave her hope: hope for the future, hope for some level of recovery. And even if some skills were going to remain lost to the stroke, she’d still have movies. She’d still have story and comedy.

You see, the medical profession keeps you alive physically, but stories can keep you alive emotionally.

That moment in the hospital will stay with me. It is the reason I entered the film industry in the first place: to truly affect people’s lives with filmed story. To make a difference in people’s lives through story.

As a filmmaker, you rarely see that connection actually happen. You are part of the movie being made and during release, it goes out strangers you may never meet. It’s a blessing that, every now and then, life will let you know that the connection is working. And hope is born in me too.

The hope and power of story!

Cheers & a good shoot to you,
Deb

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Film Production Management 101” (now in its third edition) is updated for today’s respectful workplace and sustainable practices – available worldwide, including Amazon-USA, Indigo-Canada and many other bookstores or directly from the publisher (MWP).

Write! Shoot! Edit!” (written for young adults) is a choose-your-own-path book where you can follow the path of the writer, director-DP or editor to make your first films. It’s also available worldwide, including Amazon-USA, Indigo-Canada (Kobo), or directly from the publisher (MWP).

The word me on a Wednesday

Inspiration at the Movies: Wednesday

“Every day is about me.”
Wednesday (Wednesday, Season 2, 2025)

‘Tis a cheeky, selfish thing to say, isn’t it?

But look at it again. There’s some wisdom there: we are – or should be – the lead in the movie of our own life. Yes, we should be of service to others in the community of life. Being of service comes back to us in many positive ways, including connection with and building of community (for we are social beings after all), through paying-it-forward, and so on.

Even Wednesday isn’t entirely selfish in her actions. She’s the hero of her own story, but also the hero of the school and hero of the community of Outcasts.

But we also need to care for self, and that’s what Wednesday’s phrase is reminding me. You have to care for yourself so that you’re able to care for others. ‘Tis a lovely, albeit cheeky, reminder, isn’t it?

Cheers & a good shoot to you,
Deb

=====================

Film Production Management 101” (now in its third edition) is updated for today’s respectful workplace and sustainable practices – available worldwide, including Amazon-USA, Indigo-Canada and many other bookstores or directly from the publisher (MWP).

Write! Shoot! Edit!” (written for young adults) is a choose-your-own-path book where you can follow the path of the writer, director-DP or editor to make your first films. It’s also available worldwide, including Amazon-USA, Indigo-Canada (Kobo), or directly from the publisher (MWP).